Reversed Audio Based Music Production - Music bibliographies - in Harvard style

In-text: (Bell, 2018)

Your Bibliography: Bell, A., 2018. Dawn of the DAW: The Studio As Musical Instrument. Oxford: Oxford University Press, p.9.

In-text: (Burgess, 2013)

Your Bibliography: Burgess, R., 2013. The Art of Music Production: The Theory and Practice. New York: Oxford University Press, pp.3, 5.

In-text: (Deliege and Sloboda, 2015)

Your Bibliography: Deliege, I. and Sloboda, J., 2015. Perception and cognition of music. [Place of publication not identified]: Psychology Press, p.Preface-p.12.

In-text: (Everett, 1999)

Your Bibliography: Everett, W., 1999. The Beatles as musicians. New York: Oxford University Press, p.44.

In-text: (Holmes, 2012)

Your Bibliography: Holmes, T., 2012. Electronic and Experimental Music. New York: Routledge, p.Preface-p.17.

In-text: (Holt, 2009)

Your Bibliography: Holt, F., 2009. Genre in Popular Music. Chicago: University of Chicago Press, p.2.

In-text: (Hosken, 2012)

Your Bibliography: Hosken, D., 2012. Music technology and the project studio. New York: Routledge, p.119.

In-text: (Izhaki, 2012)

Your Bibliography: Izhaki, R., 2012. Mixing audio: Concepts, Practices and Tools. 2nd ed. Oxford: Elsevier, pp.391, 392.

In-text: (Landy, 1994)

Your Bibliography: Landy, L., 1994. Experimental music notebooks. Chur: Harwood Academic publ., p.6.

In-text: (Massey, 2000)

Your Bibliography: Massey, H., 2000. Behind the glass. San Francisco, Calif.: Backbeat Books, pp.263, 306.

In-text: (Nicholls, 2008)

Your Bibliography: Nicholls, D., 2008. The Cambridge History of American music. Cambridge: Cambridge University Press, pp.517, 534.

In-text: (Peters, 1996)

Your Bibliography: Peters, M., 1996. The Birth of Loop. [online] Loopers-delight.com. Available at: <http://www.loopers-delight.com/history/Loophist.html> [Accessed 10 June 2018].

In-text: (Wilkins, 2006)

Your Bibliography: Wilkins, M., 2006. Creative Music Composition: The Young Composer's Voice. New York: Taylor and Francis, p.42.