These are the sources and citations used to research Reversed Audio Based Music Production. This bibliography was generated on Cite This For Me on

  • Book

    Bell, A. P.

    Dawn of the DAW: The Studio As Musical Instrument

    2018 - Oxford University Press - Oxford

    In-text: (Bell, 2018)

    Your Bibliography: Bell, A., 2018. Dawn of the DAW: The Studio As Musical Instrument. Oxford: Oxford University Press, p.9.

  • Book

    Burgess, R. J.

    The Art of Music Production: The Theory and Practice

    2013 - Oxford University Press - New York

    In-text: (Burgess, 2013)

    Your Bibliography: Burgess, R., 2013. The Art of Music Production: The Theory and Practice. New York: Oxford University Press, pp.3, 5.

  • Book

    Deliege, I. and Sloboda, J. A.

    Perception and cognition of music

    2015 - Psychology Press - [Place of publication not identified]

    In-text: (Deliege and Sloboda, 2015)

    Your Bibliography: Deliege, I. and Sloboda, J., 2015. Perception and cognition of music. [Place of publication not identified]: Psychology Press, p.Preface-p.12.

  • Book

    Everett, W.

    The Beatles as musicians

    1999 - Oxford University Press - New York

    In-text: (Everett, 1999)

    Your Bibliography: Everett, W., 1999. The Beatles as musicians. New York: Oxford University Press, p.44.

  • Book

    Holmes, T.

    Electronic and Experimental Music

    2012 - Routledge - New York

    In-text: (Holmes, 2012)

    Your Bibliography: Holmes, T., 2012. Electronic and Experimental Music. New York: Routledge, p.Preface-p.17.

  • Book

    Holt, F.

    Genre in Popular Music

    2009 - University of Chicago Press - Chicago

    In-text: (Holt, 2009)

    Your Bibliography: Holt, F., 2009. Genre in Popular Music. Chicago: University of Chicago Press, p.2.

  • Book

    Hosken, D. W.

    Music technology and the project studio

    2012 - Routledge - New York

    In-text: (Hosken, 2012)

    Your Bibliography: Hosken, D., 2012. Music technology and the project studio. New York: Routledge, p.119.

  • Book

    Izhaki, R.

    Mixing audio: Concepts, Practices and Tools

    2012 - Elsevier - Oxford

    In-text: (Izhaki, 2012)

    Your Bibliography: Izhaki, R., 2012. Mixing audio: Concepts, Practices and Tools. 2nd ed. Oxford: Elsevier, pp.391, 392.

  • Book

    Landy, L.

    Experimental music notebooks

    1994 - Harwood Academic publ. - Chur

    In-text: (Landy, 1994)

    Your Bibliography: Landy, L., 1994. Experimental music notebooks. Chur: Harwood Academic publ., p.6.

  • Book

    Massey, H.

    Behind the glass

    2000 - Backbeat Books - San Francisco, Calif.

    In-text: (Massey, 2000)

    Your Bibliography: Massey, H., 2000. Behind the glass. San Francisco, Calif.: Backbeat Books, pp.263, 306.

  • Book

    Nicholls, D.

    The Cambridge History of American music

    2008 - Cambridge University Press - Cambridge

    In-text: (Nicholls, 2008)

    Your Bibliography: Nicholls, D., 2008. The Cambridge History of American music. Cambridge: Cambridge University Press, pp.517, 534.

  • Website

    Peters, M.

    The Birth of Loop

    1996

    In-text: (Peters, 1996)

    Your Bibliography: Peters, M., 1996. The Birth of Loop. [online] Loopers-delight.com. Available at: <http://www.loopers-delight.com/history/Loophist.html> [Accessed 10 June 2018].

  • Book

    Wilkins, M. L.

    Creative Music Composition: The Young Composer's Voice

    2006 - Taylor and Francis - New York

    In-text: (Wilkins, 2006)

    Your Bibliography: Wilkins, M., 2006. Creative Music Composition: The Young Composer's Voice. New York: Taylor and Francis, p.42.

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