Reference List - Music bibliographies - in Harvard style
These are the sources and citations used to research Reference List. This bibliography was generated on Cite This For Me on
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Presentation or lecture
Borg, P. and Auricchio, N.
Modular Synthesis in the Production Process
2018 - University of West London
In-text: (Borg and Auricchio, 2018)
Your Bibliography: Borg, P. and Auricchio, N., 2018. Modular Synthesis in the Production Process.
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Website
Errey, M.
History of Hip Hop Music | EnglishClub
English Club
In-text: (Errey, n.d.)
Your Bibliography: Errey, M., n.d. History of Hip Hop Music | EnglishClub. [online] Englishclub.com. Available at: <https://www.englishclub.com/vocabulary/music-hip-hop.htm> [Accessed 10 May 2018].
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Presentation or lecture
Exarchos, M.
Hip-Hop ‘Chopping’ as Live Editing of the Phonographic Past: Interactive Manipulation of Historically-Informed and Reverse-Engineered Musical Ephemera
2018 - University of West London
In-text: (Exarchos, 2018)
Your Bibliography: Exarchos, M., 2018. Hip-Hop ‘Chopping’ as Live Editing of the Phonographic Past: Interactive Manipulation of Historically-Informed and Reverse-Engineered Musical Ephemera.
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Journal
Howlett, M.
The Producer As Nexus. Journal on the Art of Record Production
2012 - ArpJournal
In-text: (Howlett, 2012)
Your Bibliography: Howlett, M., 2012. The Producer As Nexus. Journal on the Art of Record Production. ArpJournal, [online] (6). Available at: <http://arpjournal.com/the-record-producer-as-nexus/> [Accessed 11 May 2018].
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Presentation or lecture
Howlett, M.
Developing a Performance – pre-production and working with artists in the studio
2017 - University of West London
In-text: (Howlett, 2017)
Your Bibliography: Howlett, M., 2017. Developing a Performance – pre-production and working with artists in the studio.
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Music or recording
Kweli, T.
Get By
2004 - Rawkus Records - New York City
In-text: (Kweli, 2004)
Your Bibliography: Kweli, T., 2004. Get By. [Online] New York City: Rawkus Records. Available at: <https://www.youtube.com/watch?time_continue=26&v=LzJ984aFqrI> [Accessed 10 May 2018].
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Presentation or lecture
Meynell, A.
1960’s Production Techniques
2017 - University of West London
In-text: (Meynell, 2017)
Your Bibliography: Meynell, A., 2017. 1960’s Production Techniques.
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Presentation or lecture
Moralis, C.
Liveness in Electronic Dance Music: Real time performance and production techniques
2017 - University of West London
In-text: (Moralis, 2017)
Your Bibliography: Moralis, C., 2017. Liveness in Electronic Dance Music: Real time performance and production techniques.
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Book
SANDEN, P.
LIVENESS IN MODERN MUSIC: Musicians, Technology, and the Perception of Performance
2013 - ROUTLEDGE - [S.l.]
In-text: (SANDEN, 2013)
Your Bibliography: SANDEN, P., 2013. LIVENESS IN MODERN MUSIC: Musicians, Technology, and the Perception of Performance. 1st ed. [S.l.]: ROUTLEDGE, pp.1-3.
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Book
Schloss, J. G.
Making Beats: The Art of Sample-Based Hip Hop.
2004 - Wesleyan University Press - Conneticut
In-text: (Schloss, 2004)
Your Bibliography: Schloss, J., 2004. Making Beats: The Art of Sample-Based Hip Hop.. 1st ed. Conneticut: Wesleyan University Press, p.106.
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Book
Vail, M.
The synthesizer
2014 - Oxford University Press - New York, NY
In-text: (Vail, 2014)
Your Bibliography: Vail, M., 2014. The synthesizer. New York, NY: Oxford University Press.
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