These are the sources and citations used to research Reference List. This bibliography was generated on Cite This For Me on

  • Presentation or lecture

    Borg, P. and Auricchio, N.

    Modular Synthesis in the Production Process

    2018 - University of West London

    In-text: (Borg and Auricchio, 2018)

    Your Bibliography: Borg, P. and Auricchio, N., 2018. Modular Synthesis in the Production Process.

  • Website

    Errey, M.

    History of Hip Hop Music | EnglishClub

    English Club

    In-text: (Errey, n.d.)

    Your Bibliography: Errey, M., n.d. History of Hip Hop Music | EnglishClub. [online] Englishclub.com. Available at: <https://www.englishclub.com/vocabulary/music-hip-hop.htm> [Accessed 10 May 2018].

  • Presentation or lecture

    Exarchos, M.

    Hip-Hop ‘Chopping’ as Live Editing of the Phonographic Past: Interactive Manipulation of Historically-Informed and Reverse-Engineered Musical Ephemera

    2018 - University of West London

    In-text: (Exarchos, 2018)

    Your Bibliography: Exarchos, M., 2018. Hip-Hop ‘Chopping’ as Live Editing of the Phonographic Past: Interactive Manipulation of Historically-Informed and Reverse-Engineered Musical Ephemera.

  • Journal

    Howlett, M.

    The Producer As Nexus. Journal on the Art of Record Production

    2012 - ArpJournal

    In-text: (Howlett, 2012)

    Your Bibliography: Howlett, M., 2012. The Producer As Nexus. Journal on the Art of Record Production. ArpJournal, [online] (6). Available at: <http://arpjournal.com/the-record-producer-as-nexus/> [Accessed 11 May 2018].

  • Presentation or lecture

    Howlett, M.

    Developing a Performance – pre-production and working with artists in the studio

    2017 - University of West London

    In-text: (Howlett, 2017)

    Your Bibliography: Howlett, M., 2017. Developing a Performance – pre-production and working with artists in the studio.

  • Music or recording

    Kweli, T.

    Get By

    2004 - Rawkus Records - New York City

    In-text: (Kweli, 2004)

    Your Bibliography: Kweli, T., 2004. Get By. [Online] New York City: Rawkus Records. Available at: <https://www.youtube.com/watch?time_continue=26&v=LzJ984aFqrI> [Accessed 10 May 2018].

  • Presentation or lecture

    Meynell, A.

    1960’s Production Techniques

    2017 - University of West London

    In-text: (Meynell, 2017)

    Your Bibliography: Meynell, A., 2017. 1960’s Production Techniques.

  • Presentation or lecture

    Moralis, C.

    Liveness in Electronic Dance Music: Real time performance and production techniques

    2017 - University of West London

    In-text: (Moralis, 2017)

    Your Bibliography: Moralis, C., 2017. Liveness in Electronic Dance Music: Real time performance and production techniques.

  • Book

    SANDEN, P.

    LIVENESS IN MODERN MUSIC: Musicians, Technology, and the Perception of Performance

    2013 - ROUTLEDGE - [S.l.]

    In-text: (SANDEN, 2013)

    Your Bibliography: SANDEN, P., 2013. LIVENESS IN MODERN MUSIC: Musicians, Technology, and the Perception of Performance. 1st ed. [S.l.]: ROUTLEDGE, pp.1-3.

  • Book

    Schloss, J. G.

    Making Beats: The Art of Sample-Based Hip Hop.

    2004 - Wesleyan University Press - Conneticut

    In-text: (Schloss, 2004)

    Your Bibliography: Schloss, J., 2004. Making Beats: The Art of Sample-Based Hip Hop.. 1st ed. Conneticut: Wesleyan University Press, p.106.

  • Book

    Vail, M.

    The synthesizer

    2014 - Oxford University Press - New York, NY

    In-text: (Vail, 2014)

    Your Bibliography: Vail, M., 2014. The synthesizer. New York, NY: Oxford University Press.

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