Introduction - Music bibliographies - in Harvard style

In-text: (Drummond, 2018)

Your Bibliography: Drummond, R., 2018. Maybe it's a grime [t]ing: th-stopping among urban British youth. Language in Society, 47(02), pp.171-196.

In-text: (Hallam, Cross and Thaut, 2009)

Your Bibliography: Hallam, S., Cross, I. and Thaut, M., 2009. The Oxford handbook of music psychology. Oxford: Oxford University Press.

In-text: (Holden, 2017)

Your Bibliography: Holden, S., 2017. Academic study finds grime as 'disruptive and powerful' as punk. [online] BBC Newsbeat. Available at: <http://www.bbc.co.uk/newsbeat/article/41559356/academic-study-finds-grime-as-disruptive-and-powerful-as-punk> [Accessed 23 May 2018].

In-text: (Lidskog, 2016)

Your Bibliography: Lidskog, R., 2016. The role of Music in Ethnic Identity Formation in Diaspora: A Research Review. International Social Science Journal, 66(219-220), pp.23-38.

In-text: (Pettan and Titon, 2015)

Your Bibliography: Pettan, S. and Titon, J., 2015. The Oxford Handbook of Applied Ethnomusicology. New York: Oxford University Press.

In-text: (Riley, 2017)

Your Bibliography: Riley, M., 2017. State of Play: Grime Music Report. [online] London: Ticketmaster, pp.9-68. Available at: <http://bit.ly/grimereport> [Accessed 23 May 2018].

In-text: (Tajfel and Turner, 1986)

Your Bibliography: Tajfel, H. and Turner, J., 1986. The Social Identity Theory of Intergroup Behavior. [ebook] New York: Psychology Press, pp.277-289. Available at: <https://student.cc.uoc.gr/uploadFiles/%CE%92310/Tajfel%20&%20Turner%2086_SIT_xs.pdf> [Accessed 29 May 2018].

In-text: (White, 2018)

Your Bibliography: White, J., 2018. The Business of Grime. Cameo Cuts. Leicester: CAMEo Research Institute for Cultural and Media Economies, pp.1-9.