Analytical Perspectives 2 - Music bibliographies - in Harvard style

In-text: (Alimi, 2017)

Your Bibliography: Alimi, B., 2017. Men Can’t Be Feminists – BRIGHT Magazine. [online] BRIGHT Magazine. Available at: <https://brightthemag.com/male-feminism-is-fakery-be-a-femally-f109ef37e9a3> [Accessed 14 May 2018].

In-text: (Bream, n.d.)

Your Bibliography: Bream, J., n.d. Destiny's Child Tackles Bee Gees, Booty, 'Nasty Girl'. [online] ABC News. Available at: <https://abcnews.go.com/Entertainment/story?id=108221&page=1> [Accessed 14 May 2018].

In-text: (Dear, 2014)

Your Bibliography: Dear, J., 2014. Survivor's Flawed Feminism. [online] Thealbumwall.blogspot.co.uk. Available at: <https://thealbumwall.blogspot.co.uk/2014/03/survivors-flawed-feminism.html> [Accessed 14 May 2018].

In-text: (Elliott, 2008)

Your Bibliography: Elliott, C., 2008. Can men be feminists?. [online] the Guardian. Available at: <https://www.theguardian.com/commentisfree/2008/apr/23/canmenbefeminists> [Accessed 14 May 2018].

In-text: (Grillo, 1995)

Your Bibliography: Grillo, T., 1995. Anti-Essentialism and Intersectionality: Tools to Dismantle the Master's House. Berkeley Journal of Gender, Law, and Justice, 10(1).

In-text: (Grosz, 1995)

Your Bibliography: Grosz, E., 1995. Space, Time, and Perversion. New York: Routledge.

In-text: (Hall, 2013)

Your Bibliography: Hall, G., 2013. Throwback Thursday: Beyonce Week - "Survivor", "Bills Bills Bills", and "Independent Women." [Blog] The Feminine Mystique, Available at: <https://femininemusique.wordpress.com/2013/11/15/throwback-thursday-beyonce-week-survivor-bills-bills-bills-and-independent-women/> [Accessed 14 May 2018].

In-text: (Jarvis, 1998)

Your Bibliography: Jarvis, S., 1998. Adorno: A Critical Introduction. New York: Routledge.

In-text: (Jones, 2015)

Your Bibliography: Jones, D., 2015. How Destiny’s Child changed R&B forever. [online] Dazed. Available at: <http://www.dazeddigital.com/music/article/25044/1/how-destiny-s-child-changed-rb-forever> [Accessed 14 May 2018].

In-text: (Jones, 2014)

Your Bibliography: Jones, J., 2014. Theodor Adorno’s Radical Critique of Joan Baez and the Music of the Vietnam War Protest Movement. [online] Open Culture. Available at: <http://www.openculture.com/2014/12/theodor-adornos-radical-critique-of-the-music-of-the-vietnam-war-protest-movement.html> [Accessed 13 May 2018].

In-text: (Longhurst, 2007)

Your Bibliography: Longhurst, B., 2007. Popular Music & Society. 2nd ed. Cambridge: Polity Press.

In-text: (McKibbin et al., 2013)

Your Bibliography: McKibbin, G., Duncan, R., Hamilton, B., Humphreys, C. and Kellett, C., 2013. The Intersectional Turn In Feminist Theory: A Response To Carbin And Edenheim. European Journal of Women's Studies, 22(1).

In-text: (Newton, 2017)

Your Bibliography: Newton, J., 2017. What is a Slut Walk, when did Amber Rose take part in Los Angeles and what is the protest about?. [online] The Sun. Available at: <https://www.thesun.co.uk/news/4594914/slutwalk-amber-rose-protest/> [Accessed 14 May 2018].

In-text: (Pilkington, 2011)

Your Bibliography: Pilkington, E., 2011. SlutWalking gets rolling after cop's loose talk about provocative clothing. [online] the Guardian. Available at: <https://www.theguardian.com/world/2011/may/06/slutwalking-policeman-talk-clothing> [Accessed 14 May 2018].

In-text: (Rudden, 2009)

Your Bibliography: Rudden, P., 2009. Singing For Themselves: Essays On Women In Popular Music. Cambridge Scholars Publishing.