Dissertation - Film/Cinema Studies bibliographies - in Harvard style

In-text: (Altman, 2008)

Your Bibliography: Altman, R., 2008. A Theory of Narrative. New York: Columbia University Press, pp.55-120, 241-285,.

In-text: (Aronson, 2010)

Your Bibliography: Aronson, L., 2010. The 21st Century Screenplay: A Comprehensive Guide to Writing Tomorrow's Films. Australia: Allen & Unwin, pp.207-231.

In-text: (Avery, 2016)

Your Bibliography: Avery, D., 2016. How "Supergirl" And A Super-Duper Gay Comic Book Clerk Helped Save A Girl's Life. [online] LOGO News. Available at: <http://www.newnownext.com/supergirl-lesbian-sanvers/12/2016/> [Accessed 9 February 2018].

In-text: (Boboltz and Yam, 2017)

Your Bibliography: Boboltz, S. and Yam, K., 2017. Why On-Screen Representation Actually Matters. [online] HuffPost UK. Available at: <https://www.huffingtonpost.co.uk/entry/why-on-screen-representation-matters_us_58aeae96e4b01406012fe49d> [Accessed 6 January 2018].

In-text: (Bordwell, 2007)

Your Bibliography: Bordwell, D., 2007. Poetics of Cinema. 1st ed. Abingdon: Routledge, p.31.

In-text: (Cox, 2016)

Your Bibliography: Cox, D., 2016. #OscarsSoWhite: who is really to blame for the Oscars' lack of diversity?. [online] The Guardian. Available at: <https://www.theguardian.com/film/2016/feb/25/oscarssowhite-right-and-wrong-academy-awards-audience> [Accessed 10 February 2018].

In-text: (Creeber, 2010)

Your Bibliography: Creeber, G., 2010. Serial television. London: BFI, p.113.

In-text: (Donahue, 2015)

Your Bibliography: Donahue, A., 2015. The Avengers: Why Marvel’s Refusal To Make A Black Widow Movie Is A Case Of Depressing Hollywood Sexism. [online] Nme.com. Available at: <http://www.nme.com/blogs/nme-blogs/the-avengers-why-marvels-refusal-to-make-a-black-widow-movie-is-a-case-of-depressing-hollywood-sexis-17400> [Accessed 2 February 2018].

Representation in the fictional world signifies social existence; absence means symbolic annihilation.

In-text: (Gerbner and Gross, 1976)

Your Bibliography: Gerbner, G. and Gross, L., 1976. Living with Television: The Violence Profile. Journal of Communication, 26(2), pp.172-199.

In-text: (Gray and Kaklamanidou, 2011)

Your Bibliography: Gray, R. and Kaklamanidou, B., 2011. The 21st century superhero. Jefferson, NC: McFarland & Co Inc.

In-text: (Hall, 1997)

Your Bibliography: Hall, S., 1997. Representation. London: Sage in association with the Open University, pp.225-279.

In-text: (Piester, 2016)

Your Bibliography: Piester, L., 2016. The 100 Boss Apologizes For How Lexa Died in Open Letter to Fans. [online] E! News. Available at: <https://www.eonline.com/uk/news/751483/the-100-boss-apologizes-for-how-lexa-died-in-open-letter-to-fans> [Accessed 12 February 2018].

In-text: (Ravi, 2012)

Your Bibliography: Ravi, B., 2012. Media and Social Responsibility: A Critical Perspective with Special Reference to Television. Academic Research International, 2(1), p.307.

In-text: (Renner, 2016)

Your Bibliography: Renner, M., 2016. Superhero and Social Action: Reproduction, Recurrence and Recognition in the Superhero Genre. Graduate School. Purdue University.

In-text: (Snarker, 2016)

Your Bibliography: Snarker, D., 2016. Bury Your Gays: Why 'The 100,' 'Walking Dead' Deaths Are Problematic. [online] The Hollywood Reporter. Available at: <https://www.hollywoodreporter.com/live-feed/bury-your-gays-why-100-877176> [Accessed 9 February 2018].