These are the sources and citations used to research David Lynch Narrative. This bibliography was generated on Cite This For Me on

  • Website

    Becca1203

    Media Theories

    2018

    a state of equilibrium; a disruption of that order by some event; a recognition that the disorder has occured; an attempt to repair the disruption; a return or restoration of a new equilibrium

    In-text: (Becca1203, 2018)

    Your Bibliography: Becca1203, 2018. Media Theories. [online] Slideshare.net. Available at: <https://www.slideshare.net/Becca1203/media-theories-43941872> [Accessed 22 April 2018].

  • Website

    Buckmaster, L.

    Why Mulholland Drive is the greatest film since 2000

    2018

    Interesting plot tangents are cut off like cancerous limbs; characters appear and disappear.

    In-text: (Buckmaster, 2018)

    Your Bibliography: Buckmaster, L., 2018. Why Mulholland Drive is the greatest film since 2000. [online] Bbc.com. Available at: <http://www.bbc.com/culture/story/20160822-why-mulholland-drive-is-the-greatest-film-since-2000> [Accessed 22 April 2018].

  • Book

    Chion, M. and Julian, R.

    David Lynch

    1995 - BFI Pub. - London

    Sound has a precise function, propelling us through the film, giving us a sense of being inside it, wrapped within its timespan.

    In-text: (Chion and Julian, 1995)

    Your Bibliography: Chion, M. and Julian, R., 1995. David Lynch. London: BFI Pub.

  • Website

    Ebert, R.

    Blue Velvet Movie Review & Film Summary (1986) | Roger Ebert

    2018

    The movie has two levels of reality. On one level, we're in Lumberton, a simple-minded small town where people talk in television cliches and seem to be clones of 1950s sitcom characters. On another level, we're told a story of sexual bondage, of how Isabella Rossellini's husband and son have been kidnapped

    In-text: (Ebert, 2018)

    Your Bibliography: Ebert, R., 2018. Blue Velvet Movie Review & Film Summary (1986) | Roger Ebert. [online] Rogerebert.com. Available at: <https://www.rogerebert.com/reviews/blue-velvet-1986> [Accessed 22 April 2018].

  • Website

    Ebert, R.

    Mulholland Drive Movie Review (2001) | Roger Ebert

    2018

    The movie is a surrealist dreamscape in the form of a Hollywood film noir.

    In-text: (Ebert, 2018)

    Your Bibliography: Ebert, R., 2018. Mulholland Drive Movie Review (2001) | Roger Ebert. [online] Rogerebert.com. Available at: <https://www.rogerebert.com/reviews/mulholland-drive-2001> [Accessed 22 April 2018].

  • Website

    auteur theory | Definition & Directors

    2018

    ‘author’ of the movie… fundamental visual elements such as camera placement, blocking, lighting, and scene length, rather than the plot line, convey the message of the film

    In-text: (auteur theory | Definition & Directors, 2018)

    Your Bibliography: Encyclopedia Britannica. 2018. auteur theory | Definition & Directors. [online] Available at: <https://www.britannica.com/art/auteur-theory> [Accessed 22 April 2018].

  • Website

    Notes About One Of The Last Scenes In Blue Velvet (SPOILERS)

    2018

    constraints of reality, reaching the heightened quality of fantasy, but only reaching always within the restrictions of reality, all drawn within the lines of an A-B-C thriller plot

    In-text: (Notes About One Of The Last Scenes In Blue Velvet (SPOILERS), 2018)

    Your Bibliography: italkyoubored. 2018. Notes About One Of The Last Scenes In Blue Velvet (SPOILERS). [online] Available at: <https://italkyoubored.wordpress.com/2011/12/28/notes-about-one-of-the-last-scenes-in-blue-velvet-spoilers/> [Accessed 22 April 2018].

  • Website

    MacTaggart, A.

    “Silencio”: hearing loss in David Lynch's Mulholland Drive

    2018

    Lynch uses pre-existing pop songs to wrap the spectator within the filmic soundscape.

    In-text: (MacTaggart, 2018)

    Your Bibliography: MacTaggart, A., 2018. “Silencio”: hearing loss in David Lynch's Mulholland Drive. [online] https://www.tandfonline.com/doi/full/10.3402/jac.v6.22836. Available at: <https://www.tandfonline.com/doi/full/10.3402/jac.v6.22836> [Accessed 26 November 2016].

  • Website

    Rafferty, T.

    David Lynch, Still Disturbing After 20 Years

    2018

    the abrupt, unsignaled alternations between teen-movie sweetness and splatter-movie depravity, between brazenly sophomoric humor and abject horror, between innocence and the direst kind of experience.

    In-text: (Rafferty, 2018)

    Your Bibliography: Rafferty, T., 2018. David Lynch, Still Disturbing After 20 Years. [online] Nytimes.com. Available at: <https://www.nytimes.com/2006/02/26/movies/david-lynch-still-disturbing-after-20-years.html> [Accessed 22 April 2018].

  • Book

    Rodley, C.

    Lynch on Lynch

    2001 - Alba - Barcelona

    a perfect synthesis of his own very particular aesthetic and thematic obsessions with the more traditional demands of narrative movie-making

    In-text: (Rodley, 2001)

    Your Bibliography: Rodley, C., 2001. Lynch on Lynch. Barcelona: Alba.

  • Website

    How can one interpret the narrative chronology of "Mulholland Drive" | ScreenPrism

    2018

    Audiences have spent years trying to piece together the mysteries of Mulholland Drive… its a film with a broken chronology which weaves in and out of the real world and a dream.

    In-text: (How can one interpret the narrative chronology of "Mulholland Drive" | ScreenPrism, 2018)

    Your Bibliography: Screenprism.com. 2018. How can one interpret the narrative chronology of "Mulholland Drive" | ScreenPrism. [online] Available at: <http://screenprism.com/insights/article/how-can-one-interpret-mulholland-drives-narrative-chronology> [Accessed 22 April 2018].

  • Book

    Verrone, W. E.

    The Avant-Garde Feature Film

    2011 - McFarland

    he is to be seen as the main “author’ of the film. The fundamental visual elements such as camera placement, blocking, lighting, and scene length, rather than the plot line, convey the message of the film

    In-text: (Verrone, 2011)

    Your Bibliography: Verrone, W., 2011. The Avant-Garde Feature Film. McFarland.

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