grewkgglk erg - Computer Science bibliographies - in Harvard style

In-text: (Alston, 2013)

Your Bibliography: Alston, A., 2013. Audience Participation and Neoliberal Value: Risk, agency and responsibility in immersive theatre. Performance Research, [online] 18(2), pp.128-138. Available at: <https://www.tandfonline.com/doi/full/10.1080/13528165.2013.807177?scroll=top&needAccess=true> [Accessed 20 May 2018].

In-text: (Dinesh, 2017)

Your Bibliography: Dinesh, N., 2017. Memos from a Theatre Lab. New York: Routledge.

In-text: (Gardner, 2009)

Your Bibliography: Gardner, L., 2009. How intimate theatre won our hearts. The Guardian, [online] Available at: <https://www.theguardian.com/culture/2009/aug/11/intimate-theatre-edinburgh> [Accessed 20 May 2018].

In-text: (Garshfield, 2018)

Your Bibliography: Garshfield, J., 2018. Where Solidarity Meets Mob-Mentality. [online] The Bottom Line. Available at: <https://thebottomline.as.ucsb.edu/2016/01/where-solidarity-meets-mob-mentality> [Accessed 18 May 2018].

In-text: (Head, 2018)

Your Bibliography: Head, A., 2018. Digital intimacies: politics and spectatorship in the work of Blast Theory.

In-text: (Head, 2018)

Your Bibliography: Head, A., 2018. Intimacy and Immersion: Politics and Spectatorship in Contemporary Performance.

In-text: (Heddon, Iball and Zerihan, 2012)

Your Bibliography: Heddon, D., Iball, H. and Zerihan, R., 2012. Come Closer: Confessions of Intimate Spectators in One to One Performance. Contemporary Theatre Review, [online] 22(1), pp.120-133. Available at: <https://www.tandfonline.com/doi/full/10.1080/10486801.2011.645233?src=recsys&instName=University+of+Hull> [Accessed 20 May 2018].

In-text: (Higgins, 2009)

Your Bibliography: Higgins, C., 2009. Immersive theatre – tired and hackneyed already?. The Guardian, [online] Available at: <https://www.theguardian.com/culture/charlottehigginsblog/2009/dec/07/theatre-punchdrunk> [Accessed 20 May 2018].

In-text: (Howells, 2012)

Your Bibliography: Howells, A., 2012. Foot Washing for the Sole. Performance Research, [online] 17(2), pp.128-131. Available at: <https://www.tandfonline.com/doi/full/10.1080/13528165.2012.671082> [Accessed 18 May 2018].

In-text: (Machon, 2013)

Your Bibliography: Machon, J., 2013. Immersive theatres. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.

In-text: (McMullan, 2014)

Your Bibliography: McMullan, T., 2014. The immersed audience: how theatre is taking its cue from video games. The Guardian, [online] Available at: <https://www.theguardian.com/technology/2014/may/20/how-theatre-is-taking-its-cue-from-video-games> [Accessed 18 May 2018].

In-text: (WHITE, 2012)

Your Bibliography: WHITE, G., 2012. On Immersive Theatre. Theatre Research International, 37(03), pp.221-235.

In-text: (Wilson, 2016)

Your Bibliography: Wilson, A., 2016. Punchdrunk, participation and the political: democratisation withinMasque of the Red Death?. Studies in Theatre and Performance, [online] 36(2), pp.159-176. Available at: <https://www.tandfonline.com/doi/full/10.1080/14682761.2016.1157748?src=recsys> [Accessed 20 May 2018].