TAP Essay - Comparative Literature bibliographies - in Harvard style

In-text: (Brody, 2014)

Your Bibliography: Brody, R., 2014. Is Method Acting Destroying Actors?. [online] The New Yorker. Available at: <https://www.newyorker.com/culture/richard-brody/is-method-acting-destroying-actors> [Accessed 27 December 2017].

In-text: (Chekov, 2014)

Your Bibliography: Chekov, M., 2014. To the Actor on the Technique of Acting. Mansfield Centre, CT: Martino Publishing.

In-text: (Dingwall-Jones, 2014)

Your Bibliography: Dingwall-Jones, C., 2014. 'Antic-Dispositions': The Representation of Madness in Modern British Theatre. PhD. The University of Kent.

In-text: (Gardner, 2010)

Your Bibliography: Gardner, L., 2010. 4.48 Psychosis | Theatre review. [online] the Guardian. Available at: <https://www.theguardian.com/stage/2010/mar/26/448-psychosis-review> [Accessed 27 December 2017].

In-text: (Goldstein and Bloom, 2011)

Your Bibliography: Goldstein, T. and Bloom, P., 2011. The mind on stage: why cognitive scientists should study acting. Trends in Cognitive Sciences, [online] 15(4), pp.141-142. Available at: <https://www.academia.edu/435386/The_Mind_On_Stage_Why_Cognitive_Scientists_Should_Study_Acting> [Accessed 28 December 2017].

In-text: (Lavery, 1998)

Your Bibliography: Lavery, B., 1998. Plays: 1. Nothing Compares to You. London: Methuen Drama.

In-text: (Newman, 2017)

Your Bibliography: Newman, N., 2017. Session 1: Gestures - Michael Chekhov. [video] Available at: <https://drive.google.com/drive/u/0/folders/1tpz7rSROo4KCNCOjs3zbJTFxnV7C1ME_> [Accessed 29 December 2017].

In-text: (Newman, 2017)

Your Bibliography: Newman, N., 2017. Session 1: Psychological - Lee Strasberg. [video] Available at: <https://drive.google.com/drive/u/0/folders/1tpz7rSROo4KCNCOjs3zbJTFxnV7C1ME_> [Accessed 5 January 2018].

In-text: (Newman, 2017)

Your Bibliography: Newman, N., 2017. Session 2: Gestures - Chekhov. [video] Available at: <https://drive.google.com/drive/u/0/folders/10ef-wWPSCxEVPbKVC2mp6FhuUa1b8XXG> [Accessed 5 January 2018].

In-text: (Newman, 2017)

Your Bibliography: Newman, N., 2017. Session 2: Psychological - Strasberg. [video] Available at: <https://drive.google.com/drive/u/0/folders/10ef-wWPSCxEVPbKVC2mp6FhuUa1b8XXG> [Accessed 5 January 2018].

In-text: (Ohikuare, 2014)

Your Bibliography: Ohikuare, J., 2014. How Actors Create Emotions: A Problematic Psychology. [online] The Atlantic. Available at: <https://www.theatlantic.com/health/archive/2014/03/how-actors-create-emotions-a-problematic-psychology/284291/> [Accessed 28 December 2017].

In-text: (Proctor, 2013)

Your Bibliography: Proctor, R., 2013. Theatre should educate us about mental illness, not increase our paranoia. [online] Everything Theatre. Available at: <http://everything-theatre.co.uk/2013/07/theatre-should-educate-us-about-mental.html> [Accessed 19 December 2017].

In-text: (Shakespeare, 2009)

Your Bibliography: Shakespeare, W., 2009. King Richard III (Arden Shakespeare Third Series). London: Bloomsbury Publishing.

In-text: (Spencer, 2001)

Your Bibliography: Spencer, C., 2001. Sarah Kane's howl of pain is an act of artistic heroism. [online] Telegraph.co.uk. Available at: <http://www.telegraph.co.uk/culture/4723510/Sarah-Kanes-howl-of-pain-is-an-act-of-artistic-heroism.html> [Accessed 21 December 2017].

In-text: (Stanislavsky and Hapgood, 2008)

Your Bibliography: Stanislavsky, K. and Hapgood, E., 2008. An Actor Prepares. London: Methuen Drama.

In-text: (Strasberg and Cohen, 2010)

Your Bibliography: Strasberg, L. and Cohen, L., 2010. The Lee Strasberg notes. London: Routledge.

In-text: (Zarrilli, Daboo and Loukes, 2013)

Your Bibliography: Zarrilli, P., Daboo, J. and Loukes, R., 2013. Acting: psychophysical phenomenon and process. Basingstoke: Palgrave Macmillan.