Bibliography - Art bibliographies - in Harvard style

But otherwise, frankly, it's a little bit insulting to craftsmen isn't it.

In-text: (BBC, 2013)

Your Bibliography: BBC, 2013. DAVID HOCKNEY: The Art of Seeing. [video] Available at: <https://www.youtube.com/watch?v=Cdqch3-D94A> [Accessed 17 June 2018].

Posters for his show at the Royal Academy of Arts in London read: "All the works here were made by the artist himself, personally."

In-text: (Clark, 2012)

Your Bibliography: Clark, N., 2012. David Hockney vs Damien Hirst: the Queen's chosen one puts king of the. [online] The Independent. Available at: <https://www.independent.co.uk/arts-entertainment/art/news/david-hockney-vs-damien-hirst-the-queens-chosen-one-puts-king-of-the-ybas-on-the-spot-6284208.html> [Accessed 17 June 2018].

Those he painted himself, those he helped paint, and those he just supervised while skilled apprentices delivered the goods.

In-text: (Galperina, 2012)

Your Bibliography: Galperina, M., 2012. Artists Who Don’t “Make” Their Own Work. [online] Flavorwire. Available at: <http://flavorwire.com/251160/artist-who-do-not-make-their-own-work/5> [Accessed 17 June 2018].

Pop Art is a return to “conceptual” painting, virtually abandoned, except by the Surrealists, since Courbet, in favor of retinal painting… If you take a Campbell soup can and repeat it 50 times, you are not interested in the retinal image. What interests you is the concept that wants to put 50 Campbell soup cans on a canvas.

In-text: (Girst, 2003)

Your Bibliography: Girst, T., 2003. Articles, TOUT-FAIT: The Marcel Duchamp Studies Online Journal. [online] Toutfait.com. Available at: <http://www.toutfait.com/issues/volume2/issue_5/articles/girst2/girst1.html> [Accessed 17 June 2018].

A lot of people thought it was me everyone at the 'Factory' was hanging around, that I was some kind of big attraction that everyone came to see, but that's absolutely backward: it was me who was hanging around everyone else. I just paid the rent, and the crowds came simply because the door was open. People weren't particularly interested in seeing me; they were interested in seeing each other. They came to see who came.

In-text: (Hackett and Warhol, 1980)

Your Bibliography: Hackett, P. and Warhol, A., 1980. POPism. New York: Harcourt Brace Jovanovich, pp.457-467.

In conceptual art the idea or concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair.

In-text: (Lewitt, 1967)

Your Bibliography: Lewitt, S., 1967. Paragraphs on Conceptual Art. Art Forum, pp.79-83.

...while on the other hand there develops increasing over-capitalization, or a growing mass of non-valorizable capital which can only achieve temporary valorization by direct intervention of the late bourgeois State in the economy. ...the production of ‘cultural’ goods’ succumb one after another to ‘money-making as an organized business’.

In-text: (Mandel, 1972)

Your Bibliography: Mandel, E., 1972. Late Capitalism, 18. The Crisis of Capitalist Relations of Production. Berlin: Suhrkamp Verlag, p.132.

Our products would be so many mirrors in which we saw reflected our essential nature.

In-text: (Marx, 1844)

Your Bibliography: Marx, K., 1844. Comments on James Mill. 1st ed. Berlin: Marx-Engels Institute.

"The trade, the galleries and our own romantic idea of these artists as passionate creators working in a fire of creative genius works against our acknowledging that they were picture producers and that most of them were trying to make a good living," Professor Kemp told the newspaper.

In-text: (Rainey, 2011)

Your Bibliography: Rainey, S., 2011. Leonardo da Vinci 'painted two copies of the same work'. [online] Telegraph.co.uk. Available at: <https://www.telegraph.co.uk/culture/art/art-news/8866671/Leonardo-da-Vinci-painted-two-copies-of-the-same-work.html> [Accessed 17 June 2018].

Artist Chet Zar offered, "Assistants are one thing but assistants that do ALL the work is another."

In-text: (Sherwin, 2012)

Your Bibliography: Sherwin, B., 2012. Artists debate over the use of artist assistants -- where do you stand?. [online] fineartviews.com. Available at: <https://fineartviews.com/blog/38751/artists-debate-over-the-use-of-artist-assistants-where-do-you-stand> [Accessed 17 June 2018].

Such is the importance of Fountain that, in December 2004, it was voted the most influential work of modern art by 500 art-world professionals. In contemplation, that seems something of an understatement: with this single "readymade" work, Duchamp invented conceptual art and severed for ever the traditional link between the artist's labour and the merit of the work.

In-text: (The loo that shook the world: Duchamp, Man Ray, Picabi, 2008)

Your Bibliography: The Independent. 2008. The loo that shook the world: Duchamp, Man Ray, Picabi. [online] Available at: <https://www.independent.co.uk/arts-entertainment/art/features/the-loo-that-shook-the-world-duchamp-man-ray-picabi-784384.html> [Accessed 17 June 2018].

In-text: (The School of Life, 2015)

Your Bibliography: The School of Life, 2015. ART/ARCHITECTURE: Andy Warhol. [video] Available at: <https://www.youtube.com/watch?v=QAJJ35DVlTs> [Accessed 17 June 2018].

‘Why do people think artists are special? It's just another job. I wanted to be an Art Businessman or a Business Artist. Being good in business is the most fascinating kind of art.

In-text: (Warhol, 1975)

Your Bibliography: Warhol, A., 1975. The Philosophy of Andy Warhol: (From A to B and Back Again). 1st ed. New York: Harcourt Brace Jovanovich, pp.92, 178.