Assignment 2 - goya rembrandt - Art History bibliographies - in Harvard style

In-text: (Crenshaw, 2002)

Your Bibliography: Crenshaw, P., 2002. Rembrandt's Declaration of Bankruptcy. In: A. Chong and M. Zell, ed., Rethinking Rembrandt. Zwolle: Waanders Publishers.

In-text: (Davies, 2016)

Your Bibliography: Davies, C., 2016. Goya: The Portraits. New Criterion, 34(5), pp.67-70.

In-text: (Dickey, 2002)

Your Bibliography: Dickey, S., 2002. Rembrandt and Saskia: Art, Commerce, and the Poetics of Portraiture. In: A. Chong and M. Zell, ed., Rethinking Rembrandt. Zwolle: Waanders Publishers.

In-text: (Hofmann, 2003)

Your Bibliography: Hofmann, W., 2003. Goya: To Every Story There Belongs Another. London: Thames & Hudson.

In-text: (Hurll, 2012)

Your Bibliography: Hurll, E., 2012. Rembrandt A Collection Of Fifteen Pictures and a Portrait of the Painter with Introduction and Interpretation. Hamburg: tredition.

In-text: (Loeb Stepanek, Ilchman and Tomlinson, 2014)

Your Bibliography: Loeb Stepanek, S., Ilchman, F. and Tomlinson, J., 2014. Goya. Order and disorder. Boston: Museum of Fine Arts.

In-text: (Menpes, 2011)

Your Bibliography: Menpes, M., 2011. Rembrandt. Andrews U.K. Ltd., pp.11-17.

In-text: (Niederland, 1973)

Your Bibliography: Niederland, W., 1973. Goya's Illness: A Case of Lead Encephalopathy?. Leonardo, 6(2), p.157.

In-text: (Rishel, 1999)

Your Bibliography: Rishel, J., 1999. Goya, another look. [Philadelphia]: Philadelphia Museum of Art.

In-text: (Rollins, 2004)

Your Bibliography: Rollins, M., 2004. What Monet Meant: Intention and Attention in Understanding Art. Journal of Aesthetics and Art Criticism, 62(2), pp.175-188.

In-text: (Slive, 1953)

Your Bibliography: Slive, S., 1953. Rembrandt and his critics 1630-1730. New York, N.Y.: Hacker Art Books.

In-text: (Wilkin, 2006)

Your Bibliography: Wilkin, K., 2006. Goya at the Frick. New Criterion, 24(8), pp.40-45.